Nathan Leigh is a composer, sound designer, and writer. He has collaborated with Boundless Theatre on Prospect, Mud, and Conduct of Life, and over 300 plays at theatres including New York Theatre Workshop, American Repertory Theatre, Huntington Theatre Company, Peoples Light and Theatre, Berkshire Theatre Group, The Debate Society (Gothamist: Best Sound Design 2007 for The Eaten Heart), Stoneham Theatre (IRNE Best Sound Design 2009 for Strangers On A Train), and Central Square Theatre (IRNE Best Sound Design 2010 for The Hound of the Baskervilles). With Kyle Jarrow, Nathan co-created the musicals Big Money (WTF Boris Segall Fellowship 2008) and The Consequences (World Premiere 2012 at WHAT). With the Liars and Believers ensemble, Nathan Leigh composed scores for adaptations of Song of Songs, Icarus, and A Story Beyond. With Megan Sass, he is the composer and lyricist for The Mad Scientist’s Guide (NYC Fringe 2015). In collaboration with The Bats, Nathan created the serialized musicals Sealand! and William Henry Harrison: Time Detective. Since 2009, Nathan has been the staff music columnist for AFROPUNK. His latest solo album is Ordinary Eternal Machinery.